The following ground rules should be laid down for the actors before they begin trying on the masks:
- TREAT THE MASK AS IF IT WERE A REAL FACE. The mask should be considered an object of great power and potential. This does not mean it should be used like a religious artifact, but it should also not be mistreated or used to clown around. Have respect, but not reverence, for the mask.
- ALWAYS PUT THE MASK ON (AND TAKE THE MASK OFF) FACING AWAY FROM THE SPECTATOR. No one, including the actor viewing his or her own image in the mirror, should ever see the mask until after it is firmly in place. Adjust the straps, seat the mask comfortably on the face, and prepare yourself to be surprised by the image.
- DON’T TOUCH THE MASK WHILE YOU ARE WEARING IT. The clash of context of a flesh and bone hand on a neoprene or plaster face destroys all illusions that the mask creates.
- NEVER MOVE OR TALK IN THE MASK WITH YOUR “NORMAL” SELF. Every time you put the mask on, you should “transform” into the character. Of course, we all understand that the actor’s self remains beneath the mask, but the actor must avoid anything that will distance himself from the character. Things like talking about your plans for after rehearsal, or asking the stage manager when the next break is coming up, or getting the director to clarify a concept are anathema while wearing the mask. Take the time to properly remove the mask first.
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